In early 2001 I got a call. I was running late for a meeting, and I debated whether to pick up the phone. I did and a voice at the other end said, “Do you want to design the best rock ’n’ roll book this century?”

I did. This is not the sort of offer a book designer gets everyday.

My 20 months at Slatter-Anderson were a blur… Learning a lot in a short space of time, I worked on a truly diverse range of design jobs

At the beginning of 1988, and still at Slatter-Anderson, I was getting busier with self-employed work. I was being commissioned by Transworld books, plus regular cartoon and design jobs for Video Arts. Meanwhile, at Slatter-Anderson I was working on an extensive test packaging project for Elida Gibbs for All Clear hair products and “re-imagined” toothpaste tubes. I was doing all the lettering artwork and technical drawings – oh, the glamour!

Clive Ponting was the civil servant who, along with Tam Dalyell MP, was instrumental in revealing Whitehall secrets behind the notorious Belgrano Affair and I was given the job of designing the cover of his exposé. 
The General Belgrano was an Argentinian cruiser, sunk on 2nd May 1982, during the Falklands War. Clive’s book would reveal that, when struck by two torpedos from HMS Conqueror, a British hunter-killer Churchill class nuclear-powered submarine, the General Belgrano was, not only outside the combat zone, but also sailing away from it when hit. She sank with all hands, 323 lives were lost.

Back in the late 80s the Falcon Game Book Series was highly innovative; the reader was the hero, taking a story path of their own choosing. Today, this is laughably tame and laborious, compared with our easily accessible digital escapism, role playing on our smart phones across time zones and continents. But, remember, this was all before Alan Sugar introduced the Amstrad home computer, complete with its 3.5” floppy discs. Internet for all was in its infancy and Dungeons and Dragons (D&D) was THE ‘gaming’ experience.

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Towards the end of 1991 I bumped into Nick Hern on the third floor of The Random House building in Vauxhall Bridge Road. Nick’s ‘list’ had just become one of Random House imprints, having been part of the Walker Books group since 1988.

Nick was (and happily still is) publishing plays and books on all things theatre. By setting up a specialist list of play scripts and play script programmes sold in theatres, Nick had quickly built on his reputation at Methuen and Walker, as the ‘go to’ man for every new and established playwright both in the UK and around the world.

After clearing my desk at Sphere Books on Friday afternoon, Monday morning found me sitting down at a corner desk of the Riverside Studios in Fulham. Perched on the north bank of the Thames with a view of Brompton reservoir and the most spectacular sunsets in West London, I was now a Senior Designer at Slatter-Anderson.

For relatively small publishers, like Sphere Books, there are always a few authors about whose axis the company’s survival often revolves. Prolific, high-profile, bestselling…  Danielle Steel was just such an author for Sphere where she had full cover approval and maintained a very tight control on all design decisions.